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Welcome to the Official Website of the
Ealdormere Scribal College. The College is comprised of the illuminators,
calligraphers and other scribal oriented artisans within the Kingdom of
Ealdormere (encompassing most of the Province of Ontario, Canada) in the
Society For Creative Anachronism, under the guidence of the Trillium Signet.
If you would like to become a scribe or have your name added to the Signet's
list, please contact the Trillium
Signet directly |
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Recreating 12th
Century English Legal Documents |
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Extant
legal documents that we might use as our models fall into three categories: Individual legal documents, collections of individual
original legal documents, and collections of copied legal documents
(often dating from earlier periods). Individual
legal documents were often retained by churches, cities, and baronial
and royal households and kept in their archives. A good example of an
extant individual legal document from this period would be this royal
charter dating from 1136: Collections
of original legal documents began to be more common towards the end
of the century with the rise of "feet of fines."
Records of land transfers would be recorded in triplicate on
the same piece of parchment-one on the left, one on the right, and one
at the bottom. The parchment would then be cut so that each
party would receive a copy, and the bottom-or "foot" of the final concord-or
"fine"-would be kept as a record by the courts. Charter
collections were also compiled during the twelfth century. In these collections, the various legal documents
of (usually) a religious house, cathedral, or church would be recopied
so that they could be easily bound together in book format. These documents usually lacked seals, but might
be scribed in a more legible script, often with illumination. Charter of King Edgar, Cartulary of Original
legal documents in the 12th century were usually executed
in either a cursive or a chancery script.
Both of these are related to the late Carolingian and early Gothic
scripts currently in use in the 12th century, but included
cursive (the word means "running"; thus, linked together) elements for
ease and speed of writing. These documents were written in Latin and were
heavily abbreviated to save parchment and time. The
royal charter on the first page of this handout shows a typical 12th
century English chancery script. Note
the many abbreviations-for example, the word "epo" with a squiggle above
it in the first line is the abbreviation for "episcopo" (bishop), and
the many marks that look like the numeral 7 are shorthand for "et" (and). Notice also how basic the layout is-there is
no ornamentation at all, not even on the first line. However, note the size of the huge royal seal. For
a slightly different type of document, here is a document dating from
1154 written in Italian chancery script: (source: V. Federici,
La scrittura delle cancellerie italiane secoli XIII-Xvii, pl. 32) Note
the highly ornamented and wide-spaced script.
If you look closely at the letters, they have the same basic
shapes as an early Italian Gothic script, but with the addition of the
ornamented ascenders. Note the
first line consists of a very ornamental, compressed and elongated majuscule
script. Here
is a particularly beautiful twelfth-century papal bull from the same
chancery tradition: (source: Exempla scripturarum, fasc. 3; Acta pontificum,
ed. G. Batelli ( Note
the large capital, the wide spacing, and the graceful ascenders. Since this is a bull (from bulla, the word for
lead seal), this document would have originally had a large attached
lead seal. Copied
legal documents in charter collections (cartularies) did not usually
use a cursive or chancery script. Instead,
they tended to use more elegant calligraphic hands, sometimes with illumination,
in whatever the prevailing scribal hand of the day was. Thus, the document below, a charter of King
Cnut to Earl Godwine (11th century) from a manuscript dated
1130-1140 is executed in a typical late Caroline/early Gothic script. (Cartulary of Note
the large opening line "Christi Omnipotentis" with the illuminated "X",
followed by a second line in majuscule script, and then the main body
of the text. A particularly interesting
portion of this particular document is the section, starting with the
large "O" halfway down the page, in Anglo-Saxon. Also note in this document
the signature area. The document
is signed "Ego CNUT Rex anglorum cum General Principles for Recreating ChartersLayout: More formal charters use white space generously,
with large borders. Ordinary
legal documents often took up all available space on the page. Documents in cartularies used a more traditional
book page layout. Script: Chancery or cursive script, late Caroline or
early Gothic, or, if using the cartulary model, a transitional Caroline/Gothic
script is appropriate. Here
are a few examples of English Caroline or transitional scripts from
the 12th century: Decoration: Ornate first lines using red, blue or green
ink; long or decorated ascenders and/or descenders; some illumination
in the cartulary model. Signatures: Probably both on the same line, perhaps in a
sentence structure as in King Cnut's charter above (leaving space for
the King and Queen to add their names): Ego
Edouard Rex Ealdormeris cum Regina mea Genevieve
There
are several ways of attaching a seal to a document. The seal above is attached by a woven band (tablet
weaving is ideal for this purpose. Another
common way of attaching a seal is with a strip of parchment: http://www.dur.ac.uk/medieval.documents/pages/4-2-spec-34_i.htm Silk
braids or fibres were also often used to attach seals: Simple
twisted seal tag (from a handout by Mistress Emmelyne de Marksbury) More
complex braided seal tag: http://www.dur.ac.uk/medieval.documents/pages/2-2-pont-2a_i.htm Diamond-shaped
seal tag http://thescriptorium.co.uk/facts/smdoc.jpg Sources: http://www.dur.ac.uk/medieval.documents/documents.htm (lots of examples of writs, many with seals) |
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Please report any broken or bad links to the web master This is the recognized website for the Ealdormere Scribal College within the Society for Creative Anachronism, Inc. and is maintained by Master Erick of Longacres (mka David Carswell). This site may contain electronic versions of the group's governing documents. Any discrepancies between the electronic version of any information on this site and the printed version that is available from the originating office will be decided in favor of the printed version. Copyright © 2006 Ealdormere Scribal College Design Copyright © 2006 David Carswell - Oblique Web Design The original contributors retain the copyright of certain portions of this site. For information on using or removing photographs, articles, or artwork from this website, please contact the web master at erick@look.ca. Please respect the legal rights of our contributors. |
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